Four rooms, four questions
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Who are you?
People tried to prove who they were long before passwords. There were always three ways: something you know, something you have, something you are.
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Is it real?
A forgery is betrayed by one detail that could not be there: a pigment from the wrong century in a painting, one wrong letter in an email address.
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Who is watching?
Hiding a message in plain sight is the oldest art and the oldest technology. Without the key a cipher looks like noise; with it, like text.
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What if it breaks?
Chance makes art alive and keys strong. An error can be glitch art or a vulnerability: it depends on who finds it.